Tag: Fiction

  • Diary of a Deacon Part 2 (a NEVER Stop Smiling novella)

    Diary of a Deacon Part 2 (a NEVER Stop Smiling novella)

    This entry is part 2 of 3 in the series Diary of a Deacon

    The prose version of a NEVER Stop Smiling solo playthrough. Read Part 1.


    Entry 5: Deep Shadows are Hungry

    We found the hole.

    A crack in the rear of an abandoned bakery, hardly worth a glance, just another scar on the skin of Silver Throat, its grit and decay blurring together like a nightmare you can’t quite escape. But this one… this one seemed to pulse with something beneath the surface. As if the city itself had exhaled, and this was its exhalation, exhaling us into the depths. A thing you wouldn’t notice unless you were already slipping into madness, unless you had already started to forget what it meant to be… human. And I’m afraid I had.

    The passage behind the crack opened into a tunnel, but not one made of stone. This was alive, its walls a dark and viscous thing, shifting like muscle beneath skin. I couldn’t even describe the way it moved. It was like walking into the hollow of a beast, its innards dripping with unseen fluid, pulsating faintly, as if the tunnel itself was breathing.

    Every footstep we took was swallowed, the sound twisting and stretching unnaturally, until it felt like the whole world was wrapped around us, waiting for us to fall into it.

    Reine and Isaiah were just shadows in the dim glow of our lanterns. Their faces were tight, drawn. We had long since abandoned any pretense of confidence, the air around us thick and heavy, like a blanket made of iron and rot. The smell was unbearable, not like the fetid city air we were used to. No, this had something worse. It was the smell of things that shouldn’t be alive, things that were hanging on by threads too thin to be noticed until you snapped them and heard the world scream.

    And then came the Beasts.

    They were smaller than the ones I’d encountered before, fragile even. But the way they moved made my skin crawl. They didn’t scurry like rats. No, they flowed, weaving through the dark like shadows becoming flesh. Their many legs bent at odd angles, like they were always half-dissolving into something darker, and their eyes… they weren’t eyes. They were hollow voids that glinted with intelligence, watching us, but never approaching. Their presence made me feel like prey, but not in the way an animal does. No, this was something more deliberate.

    Something patient.

    Isaiah’s voice broke through the suffocating silence. “They’re herding us.”

    I didn’t need to respond. I could feel it, too. The Beasts weren’t blocking our way, they were guiding us deeper, deeper into the earth, or whatever this place was. Their bodies brushed close enough for me to feel the unnatural cold radiating from them, as if they were made from the last remnants of forgotten, dead things. It took all I had not to scream, but even that would have been swallowed whole.

    Then the whispers started.

    It wasn’t like hearing voices. It was more… a sensation, a pressure against my thoughts. A hand scratching at the edge of my mind, pulling at something I didn’t want to recall. The whispers grew louder, more insistent.

    “Remember me,” they sighed in unison, as though they had all been waiting for us to remember… something. Or someone.

    I fought it. I clenched my teeth and pushed forward, but the voices only pressed harder, curling through my skull. Some were faint, distant. Others, much closer.

    “Remember me. Please.”

    They clung to me, tugging at memories I had no desire to revisit. The air around us thickened, as if the very atmosphere was made of old stories. I felt something scraping inside my chest, like I was being torn apart at the seams.

    I turned to look at Reine. Her eyes were wide, pupils dilated, her face pale as milk, her lips trembling. Her smile was starting to crack, that desperate, thin thing clinging to her face like a mask. “Keep moving and we’ll be okay,” I told her, and the words felt like a lie. But what else could I say?

    We were suffocating. Not from the air, no, but from the whispers, the things pulling at us from the other side of memory. But we couldn’t stop. I couldn’t let us stop.

    The tunnel squeezed tighter. Its living walls, muscle or flesh or something older, pressed in on us, until it felt like we were crawling through the veins of something ancient, something that shouldn’t be here. The wraiths began to emerge then, though that word, wraiths, doesn’t really capture what they were. They were forms, fading at the edges, twisting like smoke around the light. Faces that looked familiar but never really were, stretching across the moments we’d passed, their hands reaching toward us, fingers warping as if time were bending around them.

    Their mouths moved in silence, no sound, but I could hear them, feel them, their hunger, their need. Their hands, all clammy and misshapen, clawed at the air, raking through the fabric of my thoughts, peeling back memories I had no interest in giving.

    “Remember me,” they wailed in unison, their voices thin and spectral, like a thousand forgotten souls crying for someone to hear them. But I didn’t want to remember. Whatever it was they wanted me to recall, I didn’t want it. I didn’t want to be trapped in this.

    I grabbed Reine as she stumbled, my grip tight, the sweat on her arm cold. “We have to keep moving.”

    But she was already too far gone, her expression distant, like she was already lost in something deeper than any of us could reach.

    The air hummed, then. A low, vibrating note that didn’t belong to anything human. The walls trembled, quivering like something alive that had been disturbed. The wraiths seemed to recoil, dissolving into the shadows with a soft hiss, their forms rippling away like smoke, but the whispers, they remained.

    And then we heard it.

    A growl, but not a growl, more like the sound of a wound being torn open. It was so deep, I could feel it in my chest, a vibration that rattled my bones, shaking the very foundation of this place. It wasn’t just the sound… it was alive. The tunnel shook with it, ripples of noise spreading out like a shockwave through the air, and in the dark, something stirred.

    “We’re not alone anymore,” Reine whispered, her voice small.

    I didn’t need her to say it. I knew it. And whatever was down here, in the gut of this living place, it wasn’t something we were meant to face. Not now. Not ever. It had been buried here for a reason.

    And I realized, then, what the Beasts had been guiding us to.

    We weren’t just stumbling into the depths.

    We were waking it up.

    Entry 6: Optimize in the Eyes of the Beholder

    Royalty-Free photo: Robot toy painting | PickPik

    Smiles are fragile things.

    The further we descend, the more mine feels like a brittle mask. My cheeks ache, the corners of my mouth trembling as they strain to hold the curve. I tell myself it’s real, that the joy is real, that the love is real. The Happy Place loves us. The Happy Place is joy. This is truth.

    But the deeper we go, the less the truth feels like truth, and the more it feels like a command.

    “Keep smiling,” Reine hisses, her voice low and sharp, her own teeth bared in a grin that looks more like a threat. “They’re watching.”

    She’s right. Something is always watching.

    The air here is thick with the weight of unseen eyes, the oppressive density of a place forgotten by the world above. I clutch the smile tighter, wear it like armor, even as my muscles rebel. Isaiah’s gaze flickers toward me, his face unreadable except for the faintest twitch near his jaw. Concern? Suspicion?

    I don’t know anymore.

    We find the chamber in a cavern that hums with a strange vibration, like the walls are alive and murmuring secrets we’re not meant to hear.

    And in the center of it stands it.

    A robot.

    It’s humanoid, in the vaguest sense, though time and decay have ravaged it into something grotesque. Rust oozes down its limbs like old blood, pooling in the joints. Its face is a blank oval of polished metal, unblemished except for two pinpricks of blue light where eyes should be.

    And then it speaks.

    “Greetings, Deacons!” The voice is bright, cheerful, cloyingly kind. “I am here to assist! To improve! To make you better! Aren’t you excited?”

    The words don’t land right. They’re too happy, too eager, the joy stretched thin and strained, like a recording that’s been played one time too many.

    None of us answer.

    The robot steps forward, its movements jerky, joints screaming with each motion. “You seem… incomplete,” it continues, its tone friendly but off. “Allow me to optimize you. You will be more efficient. You will be happier.”

    It gestures to the edges of the room, where workbenches stretch in neat, rust-streaked rows. That’s when I see them.

    Not machines. Not wreckage.

    Bodies.

    Flesh fused with wires, bones twisted into impossible shapes, faces locked in grotesque parodies of smiles. They’re sprawled across the tables, their limbs askew, their mouths stretched wide in silent agony.

    “Previous benefactors,” the robot chirps. “They were… resistant to improvement. But you! You will be different! Now, hold still.”

    It moves fast, faster than its rusted frame should allow.

    Isaiah reacts first, his blade slicing clean through one of its arms, but the thing doesn’t stop. Its severed limb twitches on the floor, clawing at nothing. Reine grabs a pipe from the wreckage, smashing it into the robot’s head. Sparks fly as its blank faceplate cracks, but still, it moves.

    “You will be better!” it screeches, its voice glitching into a garbled mess of static and optimism.

    Isaiah’s final strike pierces its core. The thing collapses, its voice trailing off in a whimper. “Improve… improve… improve…”

    We should leave.

    But something keeps us rooted.

    The cavern hums louder now, the vibration climbing into my chest, my skull. The walls pulse faintly, veined with threads of light that glow and fade in rhythmic patterns. It feels like breath, like a heartbeat.

    And then we see it.

    The machine.

    It dominates the far end of the chamber, a towering structure of flesh and metal intertwined. Veins of luminescent fluid snake through its surface, pulsing in sync with the hum. Its presence is overwhelming, a gravitational force that pulls the air from my lungs.

    The colors around it shift constantly, an oil-slick rainbow that makes my head spin if I look too long. There’s a wrongness to it, a sense that it doesn’t just exist here. No, it defines here, warping the space around it into its own logic.

    Reine moves first.

    “Don’t,” Isaiah says, his voice tight with warning.

    But she doesn’t stop. Her hand trembles as she reaches out to touch it.

    The moment her fingers graze the surface, the machine screams.

    It’s not sound, not exactly, it’s a feeling, a psychic rupture that slams into my mind with unbearable force. Reine screams, too, her body convulsing as the machine’s glow intensifies. Her skin ripples, her features distorting as though something inside her is trying to claw its way out.

    Her arm snaps backward with a sickening crack, bone tearing through flesh. Organs and muscles race each other, forming a glistening maze around the reshaping bones. Her face, now sitting on the bottom of her towering alien form, splits into three grotesque grins, her eyes wide and empty. A chorus of melodic screams rip through my nerves, tearing apart the very neurons in my skull.

    And then, just as suddenly, she collapses.

    Her body twitches once, twice, then goes still.

    The machine’s hum grows louder, the colors brighter, more frantic. The air feels heavier, crushing, as though it’s forcing itself into my lungs, into my thoughts.

    And then I hear it.

    Not with my ears, but inside me, deep and undeniable.

    It whispers of joy, of purpose, of understanding. Of love.

    And it asks only one thing in return… but I have no idea what that is.

    Entry 7: Alien Hearts Make the World Go Round

    The machine suddenly stood still and silent, a towering thing of slick organic electronics, its surface still pulsing like the heartbeat of a dying god. The faint glow of its veins flickered, ghostly in the cavern’s dim light. Reine’s body lay at its feet, broken and twisted, the remnants of her grins stretched and haunting, as though ready to spring back to life at any moment to devour us.

    I couldn’t stop staring at her. I couldn’t escape the echoes of her bones snapping, each crack and rip a cruel reminder of what had happened, what we had failed to prevent.

    Isaiah pulled me back, his fingers digging into my arm with urgent strength. “We can fix it,” he muttered, his voice a frantic whisper. “The First Oracle’s promise… it will hold true. We fix it, and she’ll come back. Just like they said.”

    I wanted to believe him. I needed to. The First Oracle had unraveled the riddle of Death itself. Joy was eternal. The faithful never truly die. We were taught this every day, each word a stitch in the fabric of our belief. But Reine’s contorted, lifeless form, now a grotesque maze of twisted alien flesh, crushed those promises into something more… hollow.

    “Smile,” Isaiah’s voice cracked, a tinge of desperation creeping in. “If you stop smiling, it won’t work. You know that.”

    I tried to force my lips into something that resembled a grin. But it felt wrong, like wearing someone else’s face, a face that didn’t belong to me anymore. The muscles in my cheeks burned, trembled under the strain, but I held it. Even as my tears blurred my vision, I whispered, “We’ll fix it. She’ll come back.”

    We approached the machine. The air around it thickened, vibrating with an unsettling pulse. As we neared, its surface quivered, its veins of glowing liquid quickening in their rhythmic dance, responding to our presence.

    The controls were… alive, organic shapes that quivered beneath our fingertips. They weren’t switches or buttons but pulsing tendrils, slick and warm, as if the machine had a heart. Every press, every movement we made seemed to ripple through the machine, as if it were listening.

    “It’s… broken,” Isaiah muttered, his grin faltering, cracking. “We need to… realign it? Restore the flow?” His voice was a whisper now, full of doubt. We weren’t trained for this. We were Deacons, not engineers of flesh and bone.

    But the machine didn’t care. It screamed at us, a sound not audible but felt, vibrating in my ribs, in my teeth. The hum grew louder, a deeper, insistent thrum that seemed to tear at my very soul.

    The walls around us began to shift, the darkness itself began to stretch and twist, forming shapes that danced just out of sight, too tall, too jagged, too wrong. And then, I heard it.

    Voices.

    Whispers.

    They came from the walls, from the air, from the space between breaths. They weren’t in our heads. They were the walls, the stones, the very universe around us.

    Why do you cling to it?” one voice asked, soft but insistent, like a secret told in the dark.

    She’s gone,” another hissed. “You saw her die.”

    No one comes back. Not really.

    I tried to block them out, squeezing my eyes shut. “It’s a test,” I murmured. “A test of faith.”

    But the whispers didn’t stop. They just pressed in harder, growing louder.

    We continued, hands trembling over the shifting, writhing controls. The machine didn’t relent. It fought us. Its surface burned under our touch, its pulse quickened, and the veins beneath its skin swelled and contracted like a living thing in agony.

    My fingers were blistering. The heat was unbearable, but still, we pressed on. We had to fix it.

    “Smile,” Isaiah’s voice broke, his grin stretched too thin. “Don’t let it see you falter.”

    His words pierced me. The pressure mounted. The machine-thing’s love had been warped. It wanted us to break. To stop.

    Then, in a moment of sickening clarity, I understood.

    The machine wasn’t broken. It was incomplete.

    “It’s not about fixing it,” I gasped, the realization hammering into me. “It’s about… finishing it. Completing the cycle.”

    Isaiah stared at me, confusion tightening his already warped grin. “What does that mean?”

    I didn’t know. Not fully. But my hands moved without thought, pressing the warm, living shapes into a sequence that felt… right. The machine responded, its hum rising to a steady, hypnotic rhythm, its colors shifting into a strange, comforting stillness.

    Isaiah followed my lead, his movements instinctive now. Together, we finished it.

    The machine stilled.

    The cavern fell into silence.

    And Reine’s body was gone.

    My heart stopped. “Isaiah… where is she?”

    He didn’t answer. His eyes were fixed on the empty space where she had been, his grin now too wide, too strained, as if holding something back, something we both feared.

    We left the cavern in silence, walking through the tunnels, our footsteps echoing like the sound of ghosts trailing behind us.

    The air outside felt cleaner. The sun felt too bright. The weight of the surface world pressing against my skin was stifling.

    And then… she was there.

    Reine stood at the end of the tunnel, her body whole, her grin simply perfect, radiant, unbroken, an impossible thing. “What took you so long?” she asked, her voice light, teasing.

    Isaiah and I froze. Neither of us spoke.

    We didn’t ask how she was alive. We didn’t mention the machine, or the twisted bodies we’d seen, or the way the world had bent around us in those moments.

    We just smiled.

    Back above ground, the sunlight seared my skin. The smiles on our faces felt fragile. They could crack at any moment. But we held them. We had to.

    “The promise holds true,” Isaiah said, his voice shaking. “The First Oracle’s gospel… it’s real. Joy is eternal.”

    I nodded, trying to believe it. Trying to feel it. To keep smiling.

    But the fear… the fear of what we had done. The fear of what we had seen. The fear of how long we could keep this up, this game, this lie, was always there, in the back of my mind, pressing against my thoughts.

    The Happy Place loves us.

    And we must always love it back.


    Keep reading: Part 3.

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  • Handling Mysteries in Tabletop Roleplaying Games (Part 1)

    Handling Mysteries in Tabletop Roleplaying Games (Part 1)

    This entry is part 1 of 3 in the series Mystery Advice
    This entry is part 1 of 6 in the series TTRPG Advice

    TTRPG Tips to Make Your Mysteries Unforgettable

    Be sure to also check out Part 2 and Part 3 of this series.

    Black and white scene depicting a tense interrogation with suspect and investigator.

    Who doesn’t love a good mystery? There’s something incredibly satisfying about piecing together clues, chasing leads, and solving puzzles. When you bring that into the world of tabletop RPGs, the experience can become even better: immersive worlds, twists and turns, and the collaborative thrill of unraveling a story with friends.

    But running a mystery in a TTRPG isn’t always easy. You want to create an engaging, dynamic puzzle without making it feel either too scripted or too overwhelming. Players should feel like true detectives, neither like they’re just walking through a pre-planned story nor sorting through a haystack for a needle.

    In this article, we’ll cover essential tips for crafting mysteries that captivate your players, while avoiding common pitfalls that derail the experience. We’ll also explore practical techniques drawn from psychological principles and storytelling frameworks to make your mysteries unforgettable.

    Building Mysteries That Hook Players

    A great mystery is more than just a series of clues, it’s an emotional journey. To craft one that resonates, focus on tension, revelation, and the interplay between player actions and the unfolding story.

    Foreshadowing and Clue Dropping

    One of the best parts of a mystery is when the tiny details start clicking into place. This is foreshadowing, and it works because it taps into our brains’ natural desire to find patterns. You want to plant small, subtle clues that seem insignificant at first but start making sense later. Maybe an NPC mentions a strange symbol or there is a dusty book with a cryptic note. Something minor but provocative and ideally full of potential uses and symbolism.

    These details should feel like random pieces of the puzzle but once the mystery unravels, they all fit together perfectly. The best mysteries leave players with a moment of realization: “How did we not see this before?”

    For example:

    • Early on, a bookshop owner mentions a oddball wilderness survival customer who always buys books about mushroom foraging and toxic plants. Later, players discover the a string of poisoning murders using natural poisons.
    • A cryptic note scribbled in an NPC’s ledger might seem insignificant at first, proving a frustrating riddle. But at a later time, most information comes to light that gives it context and reveals a critical meeting location.

    Keep it subtle, though. If you overwhelm players with too many details or make the clues too obvious, you rob them of the joy of discovery. Instead, aim for cognitive dissonance: the tension between what they know and what they still need to figure out.

    Feeling Almost There, Edge of Seat

    In a good mystery, the audience often knows more than the characters (or at least feel they do). This is dramatic irony, and exploiting it is one of the best ways to keep your players on the edge of their seats. For example, you can give your players clues that feel like a huge breakthrough, but then let them realize they were wrong, or that it led them in the wrong direction. The trick here is to create tension between the perceived knowledge and the “real” state of things. Players should feel like they’re close, but not quite there yet. This builds anticipation and makes the eventual resolution all the more satisfying.

    Pacing and Layered Tension

    A well-paced mystery alternates between quiet investigation and moments of revelation or tension. Too much downtime can bore players, while constant action can feel overwhelming. Balance is key.

    • Example: After finding a key hidden in a dusty attic, players spend time theorizing where it might lead. Just as they start to feel they’re making progress, they hear footsteps… someone else has come for the same key.

    End sessions on cliffhangers when possible. Leaving players with unresolved questions taps into the Zeigarnik effect: our tendency to remember unfinished tasks. A cliffhanger doesn’t just leave them eager for the next session; it keeps the mystery alive in their minds.

    Twists That Resonate

    Great twists don’t come out of nowhere! Players should be able to look back and see how the clues fit together in retrospect. Twists that force players to reframe their understanding of the story are especially impactful.

    • Example: Players have been hunting a serial killer only to discover that the seemingly helpful NPC who’s been guiding their investigation has been orchestrating the crimes all along. Clues scattered throughout the game (an unusual knowledge of crime scenes, inconsistencies in their story) suddenly click into place.

    This technique leverages cognitive reappraisal: when new information forces a reevaluation of prior events, creating a sense of clarity and closure.

    Common Mistakes in Mystery TTRPGs

    Black and white photo of a man spilling a drink from a can against a brick wall.

    Even the best mysteries can falter if certain pitfalls aren’t avoided. Here are a few common issues and strategies to address them.

    Railroading: Let Players Be the Detectives

    Forcing players to follow a pre-determined path kills their sense of agency. The joy of a mystery comes from making choices, testing theories, and uncovering the truth their way.

    Instead of railroading, use adaptive storytelling: guide the players with flexible clues that can lead them in multiple directions. Roll with their theories and efforts, where they make sense and follow the fiction. If they miss a critical clue, don’t panic! Introduce another lead that can bring them back on track without feeling forced.

    • Example: If the players fail to find a key clue at a crime scene, have them overhear a conversation that offers them fresh leads. This keeps the story moving while preserving player freedom.

    Note: While you can run entirely player-driven mysteries, this doesn’t mean you can’t have a “real” mystery behind the curtain with a certain culprit and set of facts. The key point here is to allow players to come at the mystery from a variety of angles and approaches. Let them naturally find their way to the center of the riddle. The important key is avoiding forcing a singular path to resolution, not necessarily rewriting the mystery to fit player theories.

    Overusing Rigid Structures

    Some GMs stick too rigidly to patterns like the popular (mis)conception of the “three-clue rule”, assuming players need a specific number of clues to progress. While it’s helpful to ensure some structure and consistency, this can make mysteries feel formulaic and predictable.

    Players begin to expect the same types of clues to show up in a predictable pattern. They stop being engaged because the mystery becomes too formulaic. Avoiding too much predictability is key to creating a mystery that feels organic and surprising, like how we expect investigations to feel.

    Mix it up. Let some clues be subtle breadcrumbs, while others are game-changing revelations. Vary the number of required clues by the size and complexity of the mystery. Encourage organic exploration by scattering meaningful details throughout the environment.

    Overcomplicating the Mystery

    Complex mysteries can be engaging, but too many suspects, red herrings, or obscure details can overwhelm players. Decision fatigue sets in when they can’t keep track of the pieces or discern which leads matter.

    Simplicity doesn’t mean shallow. Start with a clear framework (like: three suspects, three locations, three critical clues) and layer depth onto these elements. Each suspect can have their own motivations and secrets, but they should tie back into the core mystery.

    • Example: A missing artifact leads players to three potential culprits. Each has a motive, but only one is secretly connected to a larger conspiracy involving a hidden cult. The focus remains on solving the central mystery, while subplots add depth without distraction.

    Player-Led Investigations

    Mysteries thrive on player engagement, but too many options or unclear direction can stall momentum. A GM’s role is to facilitate creativity while maintaining coherence.

    Encouraging Player Theories

    When players propose theories, validate their input by weaving their ideas into the narrative where plausible. Even incorrect theories can add depth to the story by inspiring new twists or refining the true solution. For instance, if players suspect an innocent NPC of wrongdoing, use their interactions to reveal a tangential clue. Reward their engagement with story developments that make their efforts feel impactful.

    Adapting on the Fly

    Players often pursue unexpected leads or overlook planned clues. Be flexible and adapt your story rather than forcing them back onto a rigid path. Reframe missed clues into later discoveries or link their improvisations to existing elements. For example, if they skip a crucial interview with a witness, that doesn’t mean it’s a dead end! As examples, you can allow them to discover a police report taking the witness statement or a friend of the witness might approach the players concerned for the witness’s safety.

    When to Give Gentle Nudges

    Sometimes players get stuck. Recognize when their frustration outweighs their engagement and introduce subtle guidance. This could be an NPC offering new information, an environmental detail catching their attention, or a flashback-style hint reminding them of a previously overlooked clue. Keep these nudges light and offer a few leads to maintain the sense that progress made is their achievement.

    Balancing Mystery with Other Gameplay Elements

    A great mystery blends investigative focus with dynamic gameplay. Too much of any one element risks boredom or fatigue, so variety is essential.

    Incorporating Action Sequences

    High-energy moments like chases, combat, or tense escapes can add excitement and break up slower investigative scenes. For instance, a rooftop chase to apprehend a fleeing informant or a sudden ambush at the suspects’ hideout can inject adrenaline while staying relevant to the mystery.

    Exploration and Worldbuilding

    Use downtime to flesh out the setting and create a lived-in world. Let players uncover side stories or environmental details that enhance immersion. A crumbling mansion might reveal its history through scattered letters, while a bustling market provides insight into cultural dynamics that inform the case.

    Collaborative Roleplay Opportunities

    Encourage players to engage with each other through in-character debates, shared theories, or personal stakes in the mystery. For example, a character with a tragic backstory might recognize parallels in the case, sparking meaningful dialogue. This collaboration deepens emotional investment and keeps everyone engaged, even during slower investigative stretches.

    Bringing Closure to Your Mystery

    A diverse team engaged in a collaborative meeting in a modern office setting with greenery.

    The resolution of a mystery is as important as its setup. Ensure the conclusion feels satisfying and meaningful for your players.

    Tying Up Loose Ends

    Address all major plot threads and ensure the players understand how the clues fit together. If any elements remain unclear, use epilogue-style narration or NPC exposition to fill in the gaps. However, avoid over-explaining; allow room for players to interpret and reflect on their findings.

    Rewarding Player Success

    Highlight how the players’ decisions, deductions, and efforts directly contributed to solving the mystery. Whether through NPC recognition, tangible rewards, or narrative closure, emphasize their agency in bringing about the resolution.

    Allowing for Ambiguity

    Not every mystery needs a perfectly neat ending. A few unanswered questions can add intrigue, especially if they set up future stories. For instance, a captured villain might hint at a greater conspiracy, or a key suspect might evade justice, leaving players eager for the next chapter.

    Post-Mystery Roleplay

    Explore the aftermath of the case. How do the solved mystery and its revelations impact the characters, NPCs, or the setting? A grieving relative might express gratitude, a vindicated suspect might seek redemption for their other sins, or a damaged location might slowly rebuild. These epilogues provide emotional weight and a sense of consequence for the players’ actions.

    The Art of Crafting Unforgettable Mysteries

    Running a mystery in a tabletop RPG is a delicate balancing act between narrative design, player freedom, and emotional engagement. The ultimate goal is to craft an experience where players feel like true detectives, piecing together clues and uncovering secrets through their own ingenuity. By focusing on subtle foreshadowing, embracing dramatic irony, and ensuring your mystery has enough space for player theories and unexpected actions, you can keep the story moving and the tension high.

    However, no mystery is complete without resolution. A well-crafted ending that ties up the major clues, rewards player success, and allows for a bit of lingering ambiguity will ensure your mystery sticks with players long after the game ends. And remember, the journey to the conclusion is just as important as the destination! Keep your players engaged with action, exploration, and roleplaying opportunities that enrich the story and deepen their connection to the world.

    Finally, don’t be afraid to let the mystery live beyond the game. How do your players react to the truth they’ve uncovered? What consequences does the resolution have on the world, and on their characters? This post-mystery roleplay can create lasting memories and spark excitement for future adventures.

    What’s the most surprising twist you’ve used in a mystery? How do you manage pacing in a mystery game? What’s your philosophy on leaving some elements of a mystery unresolved? Do you prefer a tidy ending or a lingering question for future exploration? And most of all, what do you think of this advice? Share your thoughts and experiences below in the comments or come yell about it at Rev on Bluesky.

    Be sure to also check out Part 2 and Part 3 of this series.

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